Moth, the ugly sister
wall-flower
hidding in the dark
C b A l M e O n U d F i L n A g G i E n D
until fingers flip a light switch
serving up
a pure shot - 60 watts
of intoxicant
now drawn, driven, drunk
she is disco funk
mad shadows, a dance party
revolving, orbiting, would-be lovers
centered on her alone
matching her moves, a mating dance
she's in a trance
and for a few brief moments
before the crash and burn
it's her turn
to be the butterfly
Wednesday, August 12, 2009
Monday, August 10, 2009
The Lighthouse

The Lighthouse
The girl was a lighthouse
always beaming blaring light
through the night
and choking fog
she was a beacon to some
and a warning to others
and then, only when she could be seen
But for those who landed on her shore
and stayed through the night
eyes adjusting
to the light
they saw she was not just a lighthouse
like any other
tempting ships to land
on empty landscapes
but rather a village, filled with artisans and thinkers,
factories and cafe's
buskers and carnivals and streams and ponds
mountains and valleys
dips and peaks
modern furnishings and valuable antiques
Those who looked past
the blinding revolving eye
could see she was prompting others
not to pass by
and admire her island
like some exotic gallery
but
to really SEE her
and understand that she
is a village, a girl, a friend, a sister, a daughter,
ME
The girl was a lighthouse
always beaming blaring light
through the night
and choking fog
she was a beacon to some
and a warning to others
and then, only when she could be seen
But for those who landed on her shore
and stayed through the night
eyes adjusting
to the light
they saw she was not just a lighthouse
like any other
tempting ships to land
on empty landscapes
but rather a village, filled with artisans and thinkers,
factories and cafe's
buskers and carnivals and streams and ponds
mountains and valleys
dips and peaks
modern furnishings and valuable antiques
Those who looked past
the blinding revolving eye
could see she was prompting others
not to pass by
and admire her island
like some exotic gallery
but
to really SEE her
and understand that she
is a village, a girl, a friend, a sister, a daughter,
ME
As One

As One
by Alicia Millar
Forget the depths,
and currents
forget the tides
and gravity's pull,
the fish getting full
on tadpole flesh
forget the time
and time-counters
the "have-tos" and "shoulds"
the wolf in the woods
needs no accountant
nor Pluto collecting dust
nor do pebbles that gather moss
then you would be free
and see
that you are not a helpless petal
pushed by the stream
but the stream that pushes
the petal and all things
as one
and currents
forget the tides
and gravity's pull,
the fish getting full
on tadpole flesh
forget the time
and time-counters
the "have-tos" and "shoulds"
the wolf in the woods
needs no accountant
nor Pluto collecting dust
nor do pebbles that gather moss
then you would be free
and see
that you are not a helpless petal
pushed by the stream
but the stream that pushes
the petal and all things
as one
Lotus
Thursday, August 6, 2009
My Heart, the Actor
My Heart the Actor
by Alicia Millar
A break
silent, painful
beating, pumping, rythmn
continues, just as if
nothing happened
Wednesday, August 5, 2009
Foreigner
Foreigner
by Alicia Millar
Foreigner
novel outsider
amusing threatning alarming
agent of change
Alien
Baby
Baby
by Alicia Millar
Baby
softly sleeping
softly sleeping
needing feeding giving
bundle revealing perfect future
Yours
Yours
Heartbeats
Fire
Tuesday, August 4, 2009
Monday, August 3, 2009
Moon
Sunset

Sunset
I close my eyes
and take a stroll
back in time
against the push
of the Eastern sun
urging me the other way
revisiting old districts
and haunts
enjoying the sorrow
just because it's
familiar
while amusing old ghosts
a child approaches
and we talk about the future
marrying "I" with "will" and "have" and "do"
and laugh and anticipate
and bask in the certainties
of our forcasts
until I notice
the day is getting late
and the child has grown
she's decrepid
her mouth still moves
but her body has atrophied
from lack of use
reminding me the flesh is weak
her favorite excuse
she wants me to keep listening
(but I grow)
resteless and tired
of her company
as I have many times
in the past,
this time more quickly
than before
I realise the neighborhood
is not as glamorous
as I remember,
and I start ignoring
the invalid's protests
I turn from her wails
and face West
lay old hurts and failures
to rest
and I think:
It's going to be a beautiful sunset.
Winter
Winter
By Alicia Millar
The nurse is making her rounds again,
and at first you are glad to see her
Then you remember she is the unfriendly one;
the one who wears gleaming white to hide the dirt
Her smile, so beautiful, but so icy- dangerous even,
reminding you of
the light that flashes off razor blades
while clouds loom around her
You are often decieved by moments of lucidity
clear blue skies
convince you that the world
is welcoming you back
but it never lasts
The nurse sedates you with long, somber nights,
just when you feel hope
all you can do
is watch
as she lays down crisp, white linens
and wait quietly
for the friendly nurse to come
The Debutants

The Debutants
by Alicia Millar
the new green blushes
at warmth's
first kiss
attracting glances with
ornaments of pink, yellow, white
wrapped tight
by possessive fists
not ready to be shared
until one by one
the fists let go
and like shy maidens
self-conscious of their beauty
(bringing to mind playful eyes peering over fans)
they open
S a L g O o W n L y Y
and consumate
their relationship
with anticipation
Love Song for an Atheist

Love Song for an Atheist
By: Alicia Millar
*Dedicated to Matt
I can't explain the wind,
although i know it's there
I can't explain the coloured arches
suspended in the air
I can't explain the morphing
of the bugs in their cocoons
I can't explain the canine habit
of howling at the moon
I can't account for silver rings
adorning human necks
I can't account for lemmings
and their strange and fatal treks
I do not try nor do i care
to understand the world
knowing will not arrest the clam
from forming its one pearl
I guess I am an atheist
who relies a lot on faith
yet one thing wants for understanding
and haunts me like a wraith
I can't define my love for you
by shape or length or sign
yet driven is my heart to know
our song by lyric and line
that i might sing it start to end
and loop it for all time
and thusly share the love I know
arranged in pitch and rhyme
Yet not so simple is this quest
our love is far too grand
it drives my faithless heart to think
an artist had a hand
for what great forge could have made
a love like yours and mine?
What great composer could have written
Our Poem, line by line?
It could not have been an accident
that we came to love so much
just as David could not stand without
Michelangelo’s fine touch
Nor could the Cistine
draw an eye, to a loftier place
if an expert painter had not dared
to visualize it's grace
Must not the buoyant, joyful love
that connects two human beings
credit power far more subtle
than chemistry's machine?
Was Monet's hand an outcome of
mere neuronal twitch?
Can Alexander Bell have been
a puppet of the switch?
A world where water lilies
are just Egg Shell Number Four
mixed one thirds with ochre
is a scientific bore
A place where telegraphing
the world's first "I-Love-You"
being seen as mere phonetic progress
is a world in shades of blue
I can't explain the world of love
nor the world of art
but awe I'm in of their effects upon
my silly, practical heart
By: Alicia Millar
*Dedicated to Matt
I can't explain the wind,
although i know it's there
I can't explain the coloured arches
suspended in the air
I can't explain the morphing
of the bugs in their cocoons
I can't explain the canine habit
of howling at the moon
I can't account for silver rings
adorning human necks
I can't account for lemmings
and their strange and fatal treks
I do not try nor do i care
to understand the world
knowing will not arrest the clam
from forming its one pearl
I guess I am an atheist
who relies a lot on faith
yet one thing wants for understanding
and haunts me like a wraith
I can't define my love for you
by shape or length or sign
yet driven is my heart to know
our song by lyric and line
that i might sing it start to end
and loop it for all time
and thusly share the love I know
arranged in pitch and rhyme
Yet not so simple is this quest
our love is far too grand
it drives my faithless heart to think
an artist had a hand
for what great forge could have made
a love like yours and mine?
What great composer could have written
Our Poem, line by line?
It could not have been an accident
that we came to love so much
just as David could not stand without
Michelangelo’s fine touch
Nor could the Cistine
draw an eye, to a loftier place
if an expert painter had not dared
to visualize it's grace
Must not the buoyant, joyful love
that connects two human beings
credit power far more subtle
than chemistry's machine?
Was Monet's hand an outcome of
mere neuronal twitch?
Can Alexander Bell have been
a puppet of the switch?
A world where water lilies
are just Egg Shell Number Four
mixed one thirds with ochre
is a scientific bore
A place where telegraphing
the world's first "I-Love-You"
being seen as mere phonetic progress
is a world in shades of blue
I can't explain the world of love
nor the world of art
but awe I'm in of their effects upon
my silly, practical heart
Grape Juice

Grape Juice
A WANT
It begins here
when my thirst is quenched
it carries me
like a leaf on a gentle wind
in the midst of a cyclone
I can't STOP
it's too long of a drop
up and over and to and fro
here i go
fast then slow
but always
~gentle~
and always
taking me away from
purpose and
plans and
pain and pain and pain...
I can see the ground
-mustn't land!
mustn't touch, hard, reliable Earth
must rebell, must defy
must fly
so I
tip, sip, drip, slip, on your sloppy, teenage kiss
stain my lips
sway my hips
again i soar
It begins here
with a dare, a flaunt, a taunt
A WANT
A. Millar
A WANT
It begins here
when my thirst is quenched
it carries me
like a leaf on a gentle wind
in the midst of a cyclone
I can't STOP
it's too long of a drop
up and over and to and fro
here i go
fast then slow
but always
~gentle~
and always
taking me away from
purpose and
plans and
pain and pain and pain...
I can see the ground
-mustn't land!
mustn't touch, hard, reliable Earth
must rebell, must defy
must fly
so I
tip, sip, drip, slip, on your sloppy, teenage kiss
stain my lips
sway my hips
again i soar
It begins here
with a dare, a flaunt, a taunt
A WANT
A. Millar
Friday, February 20, 2009
No Seatbelt

No Seatbelt
-Alicia M.
No Seatbelt
driving about
not really sure (where
I was) feeling wreckless
and just trying to
find something
- anything
that might bring change,
even just the chance for it
driving about
desperate to detatch
from conclusion
exhilarated
and half-mad
wanting to cross dangerous bridges
but still holding back
i couldn't find a crossing
- not one
and i despaired
but drove on with
no seatbelt
i would recognize
the danger
anyway
i thought the remnants
of judgenment
would be enough to protect me
THEN
you hit me
from an unexpected angle
and i passed through
an invisible windsheild
into a world where pain wasn't exquisite
but the exquisite was painful
the lessons weren't learned
and the penalties harsh
now i must climb slowly
a cut vine
towards the apex for
a chance of sunlight
reaching for you
searching for you...
rehabilitation is a slow process
harder still from my
rejection of it
the lessons were never learned
and will be in recovery forever
paying for my mistake everyday
for the rest of my life
with pleasure
Thursday, February 12, 2009
Daydreams

Daydreams
By Alicia Millar
comming in and out
I am a tide
sometimes the shore is rocky
and sharp
and i retreat for awhile
but never forever
the moon always pulls me back
to the lands of shapes and lines
but i prefer the ocean
where things have less
m a s s
rules are flouted
i am borrowed from gravity
which fights for purchase
and I'm (almost) weightless
if not for the moon
i might live here
forever
and have
strange dreams of
being awake
in the land of shapes and lines
By Alicia Millar
comming in and out
I am a tide
sometimes the shore is rocky
and sharp
and i retreat for awhile
but never forever
the moon always pulls me back
to the lands of shapes and lines
but i prefer the ocean
where things have less
m a s s
rules are flouted
i am borrowed from gravity
which fights for purchase
and I'm (almost) weightless
if not for the moon
i might live here
forever
and have
strange dreams of
being awake
in the land of shapes and lines
Wednesday, February 11, 2009
Butterfly

In my mind
an idea
no lines, or parameters
just liquid
running through my fingers
trap it quick!
now it is a butterfly
it tickles my palms
i smile
but i can't grasp it or
i'll crush it
i have to let it hover there a while
let it flirt
now i can see parts of it
it begins to crystalize
here is the wing tip
there are the eyes
i let it speak to me
with no expectation
expectation is a bureaucrat
forcing things into boxes
i don't make ideas
i discover them
and treat them
like precious things
- A Millar
Monday, February 9, 2009
Precipitation

There is no rain
but I can imagine it
it doesn't make me sad
In my mind I'm in a cafe
with plush chairs
waiting for the sky to open
up and cry
waiting for my nebulous thoughts
to come full term
When finally the water breaks
I precipitate words
onto a page
the rain comes
tatooing music onto the pavement
while I paint a world
with nothing but ink
and destroy the desert
The way out

All the boxes we're put in,
their
wallssoclose
boxes
within
boxes
lid
upon
lid
Concrete departments
Someone drew windows
on the sides
to show us the way out
but it distracts
The way out is not
forward
or
backward
or
left
or
right
or
up
or
down
It is within
There, we might escape our narrow confinements
and redefine our terms
Then, we can see that the walls are not concrete,
but corrugated PAPER
Fragile, and persishable
- A. Millar
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